Related Paintings of unknow artist :. | Realistic Red Rose | Sailboats at Sunset | Self-portrait | Portrait of Pierantonio Bandini Baroncelli | The Ditchley Portrait of Queen Elizabeth |
Related Artists:
Vladimir Baranov-Rossine
(1888?C1944) was a Russian-Ukrainian painter, avant-garde artist (Cubo-Futurist), and inventor of Jewish ethnicity Vladimir Baranov-Rossine was born in Kherson, Ukraine, to parents of Jewish ethnicity. In 1902 he studied at the School of the Society for the Furthering of the Arts in St. Petersburg. From 1903 to 1907 he attended the Imperial Academy of Arts in St. Petersburg. In 1908 he exhibited with the group Zveno ("The Link") in Kiev organized by the artist David Burliuk and his brother Wladimir Burliuk. In 1910 he moved to Paris, wher until 1914 he was a resident in the artist's colony La Ruche together with Alexander Archipenko, Sonia Delaunay-Terk, Nathan Altman and others. He exhibited regularly in Paris after 1911. He returned to Russia in 1914. In 1916 he had a solo exhibition in Oslo. In 1918 he had exhibits with the union of artists Mir Iskusstva ("World of Art") in Petrograd (St.Petersburg). In the same year he had an exhibition with the group Jewish Society for the Furthering of the Arts in Moscow, together with Nathan Altman, El Lissitzky and David Shterenberg. He participated at the First State Free Art Exhibition in Petrograd in 1919. In 1922 Baranov-Rossine was the teacher at the Higher Artistic-Technical Workshops (VKhUTEMAS) in Moscow. In 1924 he had the first presentation of his optophonic piano during a performance at the Bolshoi Theatre in Moscow - a synaesthetic instrument that was capable of creating sounds and coloured lights, patterns and textures simultaneously.
Louis Marie de Schryver
France 1862-1942
Florine Stettheimer
(August 29, 1871 - May 11, 1944) was an American artist. She has been described as "a Deco-influenced early Modernist whos never really gotten her due". Florine was born in Rochester, New York to Joseph Stettheimer and Rosetta Walter. Her father, a banker, left the family before the children were grown. She was the fourth of five children: Walter, Stella, Carrie, Florine, and Ettie. After Walter and Stella married, the youngest three immured with their mother to form an epicurean way of life.She spent much of her early life traveling, studying art in Italy, Spain, France, Germany, and Switzerland. She studied for three years in the mid-1890s at the Art Students League of New York, but came into her own artistically upon her permanent return to New York after the start of World War I. In October 1916, the only one-person exhibition of her work during her lifetime took place at New York's Knoedler & Company. She exhibited 12 "high-keyed, decorative paintings", none of which were sold. Cushioned by family resources, Stettheimer refrained from self-promotion and considered her painting "an entirely private pursuit". She intended to have her works destroyed after her death, a wish defied by her sister Ettie, her executor. Stettheimer's privileged position pervades her work. As one critic has written, "money she regarded as a birthright, decidedly not something to be flaunted in the shape of a dozen yachts, but rather to be used as a palliative against the more unpleasant aspects of the world outside... In this frame of mind, she felt free to depict life as a series of boating parties, picnics, summertime naps, parades and strolls down Fifth Avenue." She created the sets and costumes for the 1934 production of Four Saints in Three Acts, an opera by Virgil Thomson with a libretto by Gertrude Stein. Her designs, which used cellophane in innovative ways, proved to be the project for which she was best known during her lifetime. She assisted her sister Carrie in the creation of the Stettheimer Dollhouse, now in the collection of the Museum of the City of New York. The house is a whimsical depiction of an upper-class residence, filled with works by Stettheimer's artist friends, including William Zorach, Alexander Archipenko, and Gaston Lachaise.